cinephile Tribute to '70s B-movie Tarantino-style: provocative, and visually read genialel
The film's title comes from the U.S. showing the cinemas showing films of all kinds of 'exploitation : kung fu movies (particularly those of the Shaw Scope ) splatter, slasher , horror, thriller , sexploitation, blaxploitation , spaghetti westerns and all those kinds of films made over the years seventies.
The film is inspired by a way in which the stuntman had - in the film - a self-proof of death, "As might be little to drive, could slam their cars into a spin into a wall at 120 km / he survived. This suggestion makes you want to create a Tarantino slasher about a retired stuntman begins to follow and kill young girls and sensual in his car "to Death Proof. "
Tarantino movie buff, fan of B-movie, it offers the possibility of expensive to make a film that uses i-pod and cell phones but the colors, lines, leaps in the same frame looks like a 1977 film is not too well preserved.
Enjoyment is high and the choreography is, as always, Quentin Tarantino visual hyperbole absolutely brilliant!
only flaw is that in the long talks, as staged by appreciable girls are always much, too long. Again, nothing to say on the quotes that peppered the conversations of educated young women finally free from the stereotypical role predestined victims, but the verbiage of words is really over the top!
The film's title comes from the U.S. showing the cinemas showing films of all kinds of 'exploitation : kung fu movies (particularly those of the Shaw Scope ) splatter, slasher , horror, thriller , sexploitation, blaxploitation , spaghetti westerns and all those kinds of films made over the years seventies.
The film is inspired by a way in which the stuntman had - in the film - a self-proof of death, "As might be little to drive, could slam their cars into a spin into a wall at 120 km / he survived. This suggestion makes you want to create a Tarantino slasher about a retired stuntman begins to follow and kill young girls and sensual in his car "to Death Proof. "
Tarantino movie buff, fan of B-movie, it offers the possibility of expensive to make a film that uses i-pod and cell phones but the colors, lines, leaps in the same frame looks like a 1977 film is not too well preserved.
Enjoyment is high and the choreography is, as always, Quentin Tarantino visual hyperbole absolutely brilliant!
only flaw is that in the long talks, as staged by appreciable girls are always much, too long. Again, nothing to say on the quotes that peppered the conversations of educated young women finally free from the stereotypical role predestined victims, but the verbiage of words is really over the top!
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